Why? She’s frightened that everybody is doing a leopard-print flat now. Ditto trenches. To somebody whose total ethos is the antithesis of traits (the press launch additionally lists Charlotte Rampling, Lauren Hutton and Led Zeppelin as the gathering’s muses), this issues. Phelan, who says she has by no means seen Kate put on the identical factor twice in all their years of friendship, jumps in to allay her fears: “The gathering has acquired – and I hate saying this phrase – a timelessness to it. You can dip into it at any time. You’ll have worn these garments if you have been 18. Nothing has modified – it’s nonetheless actually your fashion.”
Furthermore, somewhat than a advertising alternative, it was necessary to reimagine items, similar to a wealthy blue velvet ’30s coat, for now, as a result of such love-worn treasures (there’s scarcely any velvet left on the elbows of that unique outerwear) are nearly too threadbare to put on. Maintaining classic – true classic – alive is necessary to Moss, who nonetheless scours markets (Portobello, Camden) for gems and by no means (bar an impulse 1stDibs splurge this morning) outlets on-line. “Classic outlets are simply combed by way of now, they cost an excessive amount of and also you simply really feel prefer it’s probably not classic anymore – it’s like 10 or 20 years outdated,” says this staunch rummager. “Classic, to me, is just like the ’30s, ’40s or ’50s. And we didn’t name it classic, we known as it second-hand.”